Right. If we’re being honest (and this is the internet, so of course I expect we all are) this particular slice of the Batman saga has been pretty much talked out to exhaustion. I seriously doubt there is much new insight I can lend that hasn’t already been discussed by legions of highly qualified, incredibly discerning, articulate and level-headed online fans.
So we’ll be somewhat brief today. And we will start with this:
Joel Schumacher is a good director.
And not a half-bad muppet either.
We’re jumping a little bit ahead, so before we get too deep into this potential quagmire, go and check out his IMDB page. Let that list of films percolate in your brain while we get into Batman’s cinematic adventures – or as the suits at WB call them “CHA CHING CHA CHING CHA CHING!” Continue reading
Now let’s see. Where was I? Oh yeah:
National/DC always knew they were onto a good thing with this whole “Tee Vee” thing. While what has become irrevocably known as the “Adam West Show” may have been a mixed bag of quality and camp, it certainly proved there was a huge market to present the four-color heroes to the Saturday morning crowd.
First out of the stables was The Batman/Superman Hour, which, as you can probably tell, didn’t really impact the medium as a benchmark of quality. Most of note about this brief run show (’68-’69) was the fact that the highest billing went to the actor voicing Robin – the legendary Casey Kasem.
Batman/Superman paved the way, however, for the far more enduring Superfriends run from 1977 onward. This series featured not just DC’s biggest guns, but many of the second-tier heroes who would never get a look in of their own, like Hawkman, or Aquaman. Continue reading